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Signed by:SWISS composer HEINRICH SUTERMEISTER
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Normal 0 false false false EN-US X-NONE HE MicrosoftInternetExplorer4 DESCRIPTION : Up for auction is a HAND SIGNED AUTOGRAPHED MUSICAL QUOTATION , A long BAR from his opera RASKOLNIKOFF , Boldly WRITTEM and SIGNED with a blue fountain pen of the most important and beloved SWISS composer HEINRICH SUTERMEISTER which is beautifuly and professionaly matted beneath his reproduction photo , Seated at his piano. His original MUSICAL QUOTATION – AUTOGRAPH – SIGNATURE and the reproduction PHOTO are nicely matted together , Suitable for immediate framing or display . ( An image of a suggested framing is presented – The frame is not a part of this sale – An excellent framing – Buyer’s choice – is possible for extra $ 75 ). The size of the mat is around 13 x 8 ” . The size of the reproduction photo is around 5 x 5 ” . The size of the original hand signed autographed QUOTATION ( Autogramme ) is around 6 x 4 ” . Very good condition of the original hand signed autographed QUOTATION , The reproduction photo and the decorative mat . ( Pls look at scan for accurate AS IS images ) Authenticity guaranteed. Will be sent inside a protective rigid packaging .PAYMENTS : Payment method accepted : Paypal & All credit cards. SHIPPMENT :SHIPP worldwide via expedited insured trackable airmail is 29 . Will be sent inside a protective packaging. Handling around 5-10 days after payment. Heinrich Sutermeister (12 August 1910 – 16 March 1995)[1] was a Swiss composer, most famous for his opera Romeo und Julia. Life and career System-search.svg The factual accuracy of part of this article is disputed. The dispute is about Apartheid’s web. Please help to ensure that disputed statements are reliably sourced. See the relevant discussion on the [[Talk:Heinrich Sutermeister#Apartheid’s web|talk page]]. (January 2017) (Learn how and when to remove this template message) Sutermeister was born in Feuerthalen.[1] During the early 1930s he was a student at the Akademie der Tonkunst in Munich, where Carl Orff was his teacher.[2] Orff thereafter remained a powerful influence on his music. Returning to Switzerland in the mid-1930s, Sutermeister devoted his life to composition. He wrote some works for the radio, starting with Die schwarze Spinne in 1936, before turning later to television opera. His most successful stage work was Romeo und Julia, premiered in Dresden in 1940 under Karl Böhm.[1] Sutermeister’s penultimate stage work, Madame Bovary, first given in Zurich in 1967, is loosely based on Flaubert’s novel. With many characters cut, it consists largely of monologues for Emma Bovary, who was sung by Anneliese Rothenberger. For his final opera, he adapted Eugène Ionesco’s play Exit the King (Le Roi se meurt). According to musicologist Elizabeth Forbes, this opera, premiered in 1985 at Bavarian State Opera, with only six characters, a tiny chorus and a small orchestra is, in its modest way, as effective as anything Sutermeister wrote.[3] He was the brother of Hans Martin Sutermeister. Their grandfather was the folklorist Otto Sutermeister. He died in Vaux-sur-Morges.[1] Works Stage and broadcast works Main article: List of stage and broadcast works by Heinrich Sutermeister Concert, chamber and religious music 1. Piano Concerto, 1943[1] Capriccio for unaccompanied Clarinet in A,1947[1] Die Alpen, fantasy on Swiss folksongs, 1948[4] Gavotte de Concert, for trumpet and piano, 1950 2. Piano Concerto, 1953[1] Missa da Requiem, 1952–1953[1] 1. Cello Concerto, 1954–55[1] 3. Piano Concerto, 1961–62[1] Poème funèbre – En mémoire de Paul Hindemith for string orchestra, 1965[4] Omnia ad Unum, cantata, 1965–66 2. Cello Concerto, 1971[1] Te Deum, 1975[1] Clarinet Concerto, 1975–76[2] Consolatio philosophiae, ‘Scène dramatique’, 1979 ****** OBITUARY:Heinrich Sutermeister Elizabeth Forbes Monday 20 March 1995 00:02 Comments IndyEat For free real time breaking news alerts sent straight to your inbox sign up to our breaking news emails Email I would like to be emailed about offers, events and updates from The Independent. Read our privacy notice The Swiss composer Heinrich Sutermeister wrote chamber music, cantatas, and several concertos for piano, cello and clarinet, but it is his operas for theatre, radio and television, that are best known and will be remembered longest. Usually providing his own texts, Sutermeister adapted works by Shakespeare, Dostoevsky, Flaubert, Wilde and Stevenson during the 50 years that he was actively engaged in writing operas. His first major success, Romeo and Juliet, was, according to the 1954 edition of Grove’s Dictionary of Music and Musicians, “after Rosenkavalier . . . the most frequently performed modern opera”. A later opera, Raskolnikoff, reached La Scala, Milan, while others were staged in Munich and Berlin. From 1963 to 1975 Sutermeister taught composition at the Hanover Hochschule fr Musik. The chief influences in forming Sutermeister’s style were Arthur Honegger, who first inspired him to write music, and Carl Orff, with whom he studied for a time. He particularly admired the Verdi/Boito Otello and Falstaff, and also Debussy’s Pellas et Mlisande, striving in his own operas to combine musical and dramatic expression in the manner of those masterpieces. When, in the Fifties and Sixties, he was considered old-fashioned, he found his own audience with hugely successful television operas. Sutermeister was born in Feuerthalen, in the canton of Schaffhausen. After studying philology in Basle and Paris, in 1931 he turned to musicology at Basle University. From 1932 to 1934 he attended the Akademie der Tonkunst in Munich, where his teachers included Walter Courvoisier, Hans Pfitzner and Carl Orff. Returning to Switzerland, he worked for a year as a rptiteur at the Municipal Theatre in Berne, before becoming a full-time composer. Sutermeister’s first opera, Die schwarze Spinne, with text by A. Rosler, was written for radio and broadcast in 1936. A stage version was performed at St Gall in 1949. Meanwhile, his ballet Das Dorf unter dem Gletscher was danced at Karlsruhe in 1937 and followed in 1938 by Andreas Gryphius, the first of eight cantatas that he wrote, and one of his finest early works. Romeo and Juliet, for which Sutermeister made his own adaptation of Shakespeare’s tragedy, was commissioned by Karl Bhm, who conducted the premiere at the Dresden State Opera in 1940. Maria Cebotari, the soprano for whom the part of Juliet was specially written, scored a great personal triumph. The opera, too, was very successful and for the next 20 years continued to appear frequently in German-speaking theatres. Die Zauberinsel, adapted from The Tempest, was also given its first performance at Dresden, in 1942, but proved less popular than his previous Shakespeare setting. Sutermeister’s next theatre piece was Niobe, a monodrama with text by his brother Peter, first performed at Zurich in 1946. Combining speech, choral music and dance, this work most clearly shows the influence of Orff. For the opera which followed, Sutermeister went to Stockholm, where Raskolnikoff was premiered at The Royal Swedish Opera on 14 October 1948. The text, based on Dostoevsky’s Crime and Punishment, was again by Peter Sutermeister. Though the musical idiom of Raskolnikoff remains as easy to assimilate, the dramatic structure has become more complicated than in Sutermeister’s earlier operas: two separate orchestras illustrate the outer and inner life of the protagonist, who is represented by two different singers, a tenor and a bass. I went to a performance of Raskolnikoff in Stockholm at that time and found it an utterly absorbing experience, which still remains vivid after 47 years. Though less generally popular than Romeo and Julieta, it was staged in a number of other theatres, including La Scala, where it received four performances in 1950, conducted by Issay Dobrowen, who had conducted the premiere. A variety of works followed: two radio-ballads, Fingerhtchen and Die Fsse im Feuer, were broadcast in 1950, and respectively staged in St Gall and at the City Opera, Berlin, later the same year. Der Rote Steifel, the adaptation of a fairy tale by Wilhelm Hauff, Das Kalte Hertz, was performed at Stockholm in 1951. Titus Feuerfuchs, a burlesque opera based on Nestroy’s Der Talisman, scored some success in Basle in 1958, although the composer was accused of diluting the satire of the original. However, two television operas were extremely popular: Seraphine (1959), a comic opera after Rabelais, was staged at the Cuvillis Theatre, Munich, in 1960; while Das Gespenst von Canterville (1964), based on Oscar Wilde’s story “The Canterville Ghost”, was even more successful. Der Flaschenteufel (“The Bottle Imp”), adapted by R.K. Weibel from a story by Robert Louis Stevenson, was screened on German television in 1971. Sutermeister’s penultimate stage work, Madame Bovary, first given in Zurich in 1967, is loosely based on Flaubert’s novel. With many characters cut, it consists largely of monologues for Emma Bovary, who was superbly sung by Anneliese Rothenberger. For his final opera, he adapted Eugne Ionesco’s play Le Roi Branger. Premiered at the 1985 Munich Festival, with only six characters, a tiny chorus and small orchestra, this work, in its modest way, is as effective as anything Sutermeister wrote. Elizabeth Forbes Heinrich Sutermeister, composer: born Feuerthalen, Switzerland 12 August 1910; Professor of Free Composition, Hochschule fr Musik, Hanover, 1963- 75; died Morges, Switzerland 16 March 1995. ***** HEINRICH SUTERMEISTER Country of origin: Switzerland Birthday: August 12, 1910 Date of death: March 16, 1995 UPCOMING PERFORMANCES Romeo und Julia Romeo und Julia Conductor: Alexander Sladkovsky Orchestra: Thüringer Symphoniker Saalfeld-Rudolstadt January 21, 2023 | Saalfeld (Germany) , Meininger Hof PROFILE CHRONOLOGY WORKLIST PERFORMANCES PRODUCTS COMPOSER BROCHURE NEWS ABOUT HEINRICH SUTERMEISTER Sutermeister was born in Feuerthalen (Schaffhausen) on 12 August 1910. After first philological studies in Basle (Music History with Karl Neff and German Literature) and a short academic stay at Paris he studied from 1932 to 1934 at the Munich Academy for Musical Arts as a pupil of Walter Courvoisier (Harmonics and Counterpoint) and Hugo Röhr (Conducting) as well as with Carl Orff. He was for a short time opera coach at the Berne Municipal Theatre before settling at Vaux-sur-Morges, on Lake Geneva, as a freelance composer. Operas, partly written for radio and TV, and ballets, all the stage works world-wide performed at the most important opera houses and ballet companies, and orchestral music as well as chamber and vocal music demonstrate the wide range of Sutermeister’s musical oeuvre. In 1958 he was made president of the Swiss Association for Mechanical Copyrights “Mechanlizenz”, a post he held until 1980. From 1963 to 1975 he was in charge of a composition class at the Hannover Hochschule fuer Musik. In 1967 he was awarded the Price of the Swiss Composers Association. Since 1977 he was a corresponding member of the Bavarian Fine Arts Academy. Heinrich Sutermeister died in Vaux-sur-Morges (Waadt District) on 16 March 1995. WORKLIST Stage Works Orchestra Keyboard Instruments Chamber Music Vocal Music CHRONOLOGY 1910 Born on 12 August in Feuerthalen (near Schaffhausen) Attends grammar school in Basel Studies music history wirh Karl Neff, and German literature Piano lessons with Charlotte Schrameck Study visit in Paris 1931 Studies at the “Akademie der Tonkünste”, Munich, with Walter Courvoisier (harmony and counterpoint) and Hugo Röhr (conducting) 1934 Coach at the Stadttheater Bern 1940 First performance of “Romeo und Julia” in Dresden 1942 First performance of “Die Zauberinsel” in Dresden 1946 First performance of “Niobe” in Zürich 1948 First performance of “Raskolnikoff” in Stockholm 13 April Marries Verena Renker First performance of “Die schwarze Spinne” in St. Gallen 1951 First performance of “Der rote Stiefel” in Stockholm 1953 First performance of “Missa da Requiem” in Rome with Herbert von Karajan 1958 First performance of “Titus Feuerfuchs” in Basel Appointed president of “Schweizerische Mechanlizenz” (until 1980) 1962 Award-winner of the “Société des Auteurs et Compositeurs dramatiques” 1963 Teaches a composition class at the “Staatliche Hochschule für Musik”, Hannover 1965 Opera Award of the City of Salzburg 1967 First performance od “Madame Bovary” in Zürich Award by the “Schweizerischen Tonkünstlerverein” 1968 16 June Birth of daughter Anna-Katharina 1975 First performance of “Ecclesia” in Lausanne Cathedral since 1977 Member of the “Bayerische Akademie der Schönen Künste” 1985 First performance of “Le Roi Bérenger” in Munich 1991 Is awarded the “Prix de la Fondation Pierre et Louisa Meylan” in Lausanne First performance of “Gloria” in Morges with Pierre Arn 1995 Heinrich Sutermeister dies on 16 March in Morges (canton Waadt) PRODUCTS SORT BY: Product Name – Ascending Display: 20 20 50 100 200 LIST GRID PAGE: YOU’RE CURRENTLY READING PAGE 1 2 3 4 5 12 zweistimmige Inventionen 12 zweistimmige Inventionen Composer: Heinrich Sutermeister Media Type: sheet music Instrumentation: piano Product number: ED 8004 €24.00 Incl. Tax, Excl. Shipping In stock Add to BasketThank you!Something went wrong 2. Konzert 2. Konzert für Violoncello und Orchester Composer: Heinrich Sutermeister Media Type: Hire/performance material Edition: Performance material Instrumentation: cello and orchestra Hire Order 2. Konzert 2. Konzert für Klavier und Orchester Composer: Heinrich Sutermeister Media Type: Hire/performance material Edition: Performance material Instrumentation: piano and orchestra Hire Order 3. Concerto 3. Concerto Composer: Heinrich Sutermeister Media Type: E-score PDF Edition: Klavierauszug Series: 3. Konzert Instrumentation: piano and orchestra Product number: ED 4819 Q32156 €23.99 Incl. Tax In stock Add to BasketThank you!Something went wrong 3. Konzert 3. Konzert für Klavier und Orchester Composer: Heinrich Sutermeister Media Type: Hire/performance material Edition: Performance material Instrumentation: piano and orchestra Hire Order Aubade pour Morges Aubade pour Morges für Orchester Composer: Heinrich Sutermeister Media Type: Hire/performance material Edition: Performance material Instrumentation: orchestra Hire Order Bergsommer Bergsommer 8 Little Pieces Composer: Heinrich Sutermeister Media Type: Sheet music Instrumentation: piano Product number: ED 2881 €16.00 Incl. Tax, Excl. Shipping In stock Add to BasketThank you!Something went wrong Capriccio Capriccio Composer: Heinrich Sutermeister Series: Edition Schott Instrumentation: clarinet (A) Product number: ED 10401 Product Type Print edition E-score PDF AS LOW AS €4.99 Incl. Tax In stock Add to BasketThank you!Something went wrong Cello Concerto No. 2 Cello Concerto No. 2 Composer: Heinrich Sutermeister Media Type: Sheet music Edition: Piano reduction with solo part Series: 2. Konzert Instrumentation: cello and orchestra Product number: ED 6153 €35.00 Incl. Tax, Excl. Shipping In stock Add to BasketThank you!Something went wrong Clarinet Concerto Clarinet Concerto Composer: Heinrich Sutermeister Media Type: E-score PDF Edition: Piano reduction with solo part Series: Clarinet Library Edition Schott Konzert Instrumentation: clarinet and orchestra Product number: KLB 19 Q5029 €27.99 Incl. Tax In stock Add to BasketThank you!Something went wrong Concertino Concertino Composer: Heinrich Sutermeister Media Type: Sheet music Edition: Score and parts Instrumentation: clarinet (B), bassoon, trumpet (F), horn (F), tenortrombone and piano Product number: ED 8079 €50.00 Incl. Tax, Excl. Shipping In stock Add to BasketThank you!Something went wrong Consolatio philosophiae Consolatio philosophiae Scène dramatique pour voix haute et orchestre Composer: Heinrich Sutermeister Media Type: Hire/performance material Edition: Performance material Instrumentation: high voice and orchestra Language: French, German, Latin Hire Order Consolatio philosophiae Consolatio philosophiae Scène dramatique Composer: Heinrich Sutermeister Media Type: sheet music Edition: Klavierauszug Series: Consolatio philosophiae Instrumentation: high Voice and Orchestra Product number: ED 6817 wishlist €29.00 Incl. Tax, Excl. Shipping In stock Add to BasketThank you!Something went wrong Das Dorf unter dem Gletscher Das Dorf unter dem Gletscher Tanzhandlung nach Sagenmotiven aus den Walliser Alpen von Albert Roesler Composer: Heinrich Sutermeister Media Type: Hire/performance material Edition: Performance material wishlist Hire Order Das Gespenst von Canterville Das Gespenst von Canterville Spiel mit Musik für das Fernsehen Composer: Heinrich Sutermeister Media Type: Hire/performance material Edition: Performance material Language: German wishlist Hire Order Das Hohelied Das Hohelied Kantate Nr. 4 Composer: Heinrich Sutermeister Media Type: Hire/performance material Edition: Performance material Instrumentation: soprano- and baritone-solo, mixed choir (ATBB) and orchestra Language: German wishlist Hire Order Dem Allgegenwärtigen Dem Allgegenwärtigen Kantate Nr. 3 Composer: Heinrich Sutermeister Media Type: Hire/performance material Edition: Performance material Instrumentation: soprano- and bass-baritone-solo, mixed choir (SATB) and orchestra Language: German wishlist Hire Order Der 70. und 86. Psalm Der 70. und 86. Psalm “Eile, eile, eile, Gott, mich zu erretten” Composer: Heinrich Sutermeister Instrumentation: voice and organ Product number: ED 4049 wishlist Product Type Print edition E-score PDF AS LOW AS €12.99 Incl. Tax In stock Add to BasketThank you!Something went wrong Der Kaiser von China Der Kaiser von China “In der Mitte aller Dinge” Composer: Heinrich Sutermeister Edition: Choral score Series: Schott Choral Music Instrumentation: men’s choir (TTBB) Product number: C 42733 wishlist Product Type Print edition E-score PDF AS LOW AS €3.99 Incl. Tax In stock Add to BasketThank you!Something went wrong Der Papagei aus Kuba Der Papagei aus Kuba Kantate Nr. 5 Composer: Heinrich Sutermeister Media Type: Hire/performance material Edition: Performance material Instrumentation: mixed choir (SATB) and chamber orchestra Language: German wishlist Hire Order SORT BY: Product Name – Ascending Display: 20 20 50 100 200 LIST GRID PAGE: YOU’RE CURRENTLY READING PAGE 1 2 3 4 5 PERFORMANCES SORT BY: Date – Ascending SET DESCENDING DIRECTION Display: 20 5 10 20 30 40 50 Heinrich Sutermeister Romeo und Julia Romeo und Julia Conductor: Alexander Sladkovsky Orchestra: Thüringer Symphoniker Saalfeld-Rudolstadt January 21, 2023 | Saalfeld (Germany) , Meininger Hof ***** . ebay6004 / 208
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